Showing posts with label 1973. Show all posts
Showing posts with label 1973. Show all posts

Monday, March 7, 2016

Steely Dan - Countdown to Ecstasy (1973)


Review:
The second album from Steely Dan finds the band at a transitional moment, with the potential to capitalize on the rollicking success of their first hit single "Reelin' in the Years" yet pushing toward the laid-back jazz-fusion outfit that they would become. As such, this is likely a strange album for any Steely Dan fan, yet it's perhaps a bit more approachable than most of their output for those not heavily acquainted with their work. While several of the jazzier numbers here (e.g. "The Boston Rag") uncomfortably straddle the thin line between sleepy and sophisticated, the overall impression of the album is that it stands as a statement of purpose, showing a large amount of diversity over its eight tracks. The band shreds through numbers like "Bodhisattva," doodles out a few jazzy midtempo tunes, then moves onto the oddball vamp of "Show Biz Kids." It's an album that fails to cohere on a certain level, because it is the work of a band that's embracing possibilities.

Top Tracks:
Dueling guitar solos define the punchy "Bodhisattva." The catchy yet withholding "King of the World" epitomizes the Steely Dan tension between pop songcraft and noodling digressions.

Sunday, March 6, 2016

ZZ Top - Tres Hombres (1973)


Review:
For someone who knows ZZ Top primarily from their synth-heavy '80s MTV days, this is a blusey, rollicking surprise. Like a band that has played a thousand dirty bars too many, ZZ Top flings through this sleazy half hour set without so much as a hitch. The prime example of the band's consummate professionalism is probably the almost imperceptible 4/4 segue between the first two tracks, but throughout the group seems unaffected yet insistent. The album as a whole is perhaps too familiar an exercise in its genre to qualify as great, but it's delivering precisely what it wants and not wasting any time in doing it.

Top Tracks:
"La Grange," which is ubiquitous, but has been anonymous for me until now. The grungy revivalism of "Jesus Just Left Chicago."